ARC of Triumph–Win a signed advance copy of A Song at Twilight!

ARCPhotoOne of the most exciting “author moments” is seeing the ARC of your book for the first time. Sure, it’s an uncorrected proof. Yes, you will almost certainly find a wince-inducing glitch or two when you start looking through it, some little or even not-so-little error that got past your red pencil the first, second, third time you edited your manuscript and will make you smack your head and wonder aloud, “How did I miss that?” And yes, you will thank your lucky stars that you get a final chance to expunge those errors when the page proofs/galleys arrive.

And yet, the moment when you open that packet of ARCs is still magical–because you’re finally seeing your book as a book, rather than a file or a stack of pages. It has a cover, it has back cover copy, it has promotional blurbs (if you were fortunate enough to obtain some), it has your back and front matter. When you look at the ARC, you know that your dream really is going to come true–and someday, in the not too distant future, you will see your book on the shelf of an actual bookstore.

As the author of only two books (so far), I freely concede that this is all still fairly new to me. But no matter how many more I write and publish (and I hope it’s a good many!), I can’t imagine ever finding that moment less than thrilling.

Apropos of which, the first few ARCs of my October release, A Song at Twilight, are here! I’m very excited about this book, partly because I worked hard to make it its own thing–and thus quite different from my first book, Waltz with a Stranger. The lovers are older, for example, and have more life experience, along with seemingly insurmountable obstacles to their Happily Ever After.  My heroine, Sophie, is a professional singer, a rising star of the Victorian opera and concert stage. My hero, Robin, is the man Sophie has loved since she was seventeen–and never been able to get over. When they parted four years before the story begins, their love appeared hopeless. But now Fate has handed them a second chance–if they’re brave enough and determined enough to take it…

This week I will be giving away a signed ARC of A Song at Twilight to a commenter below. The giveaway will end next Saturday, August 17, at midnight, PST, and the winner will be chosen by random draw. Please include your email address in your response, so I can contact you afterwards.

To get the ball rolling, I’ll start by asking: Do you have a favorite second-chance-at-love story, and if so, what is it?

Good luck and happy reading!

RWA 2013: Atlanta Bound!

Hello, everyone! Just a short entry to announce I’m off to the RWA National Convention, being held this year in Atlanta, from July 17-July 20. Last year in Anaheim–practically my back yard–was my first experience at RWA, and I very much enjoyed the chance to meet other romance writers at every stage of their career. Back then, I was in the process of transitioning between being a writer and being an author, having signed my first contract but still awaiting publication, scheduled for six months down the road. I knew I had a lot to learn, and I was eager to learn it.

This year, I am attending as an official author, with one book out as of last December and another forthcoming in October. I will be participating in two signings–the Literacy Autographing held on July 17, 5:30-7:30 pm and the Sourcebooks signing on July 20, 3:00-4:30 pm. I still have a lot to learn, however, and maybe even a few things to pass on.

Like a few conference tips, perhaps. Several writers have posted columns full of useful advice to those coming to their first RWA. This one, by Vicky Drelling, is especially helpful, and so is this one, describing the weather and various sights in Atlanta. I can heartily concur with all these suggestions–especially regarding comfortable shoes and bringing enough business casual outfits to compensate for surprise stains or wardrobe malfunctions.  And here are a couple more:

1. Get plenty of rest. It’s more tiring than you’d think to sit still and have people talk at you for an hour or two. So if you find yourself needing to slip up to your room for a nap, go for it. Your body and mind will thank you for it.

2. Be pleasant, polite, friendly, and discreet. You never know whom you might meet in the elevator or even the line to the women’s restroom!

3. Asking another attendee what she writes is a pretty reliable ice-breaker. And it could be the start of a beautiful friendship.

4. Hydrate. The air in the hotels can be very dry, especially at night, so drink plenty of water.

5. Bring business cards to pass out. And promotional bookmarks to give away if you have a book out or forthcoming. (I just received some beautiful promotional bookmarks for A Song at Twilight, my October release at Sourcebooks, which I’m looking forward to sharing).

6. Familiarize yourself with the conference hotel and surrounding environs. Getting the lay of the land can help you get to sessions and other appointments on time.

7. Keep a weather eye on the weather! Atlanta in July is hot, but it’s also having a very wet summer this year, so if you’re staying off-site, or planning on going off-site, you might want to pack an umbrella or a light raincoat or rain poncho.

8. Enjoy yourself–whether that means attending lots of sessions/workshops, making friends with other writers, sampling works by authors new to you, or even holing up in your room should sudden inspiration strike (a tendency every writer will understand–and most likely forgive!)

Hope to see some of you there!

Happy Fourth of July!

Whistler, Nocturne in Black and Gold, 1875
Whistler, Nocturne in Black and Gold, 1875

Fireworks

You hate me and I hate you
And we are so polite, we two!

But whenever I see you, I burst apart
And scatter the sky with my blazing heart.
It spits and sparkles in the stars and balls,
Buds into roses – and flares, and falls.

Scarlet buttons, and pale green disks,
Silver spirals and asterisks,
Shoot and tremble in a mist
Peppered with mauve and amethyst.

I shine in the windows and light up the trees,
And all because I hate you, if you please.

And when you meet me, you rend asunder
And go up in a flaming wonder
Of saffron cubes, and crimson moons,
And wheels all amaranths and maroons.

Golden lozenges and spades
Arrows of malachites and jades,
Patens of copper, azure sheaves.
As you mount, you flash in the glossy leaves.

Such fireworks as we make, we two!
Because you hate me and I hate you.

–Amy Lowell (1874-1925)

I am probably not the only reader who suspects this “hate” may be of the Kate/Petruchio, Beatrice/Benedick variety! Otherwise, why waste such beautiful, colorful, vibrant imagery on such an ugly emotion?

Happy Fourth of July to everyone who observes it–and even those who don’t, because, hey, it still comes only once a year! And who doesn’t deserve to enjoy a summer day?

Small declaration of independence of my own: I am happy to report that the page proofs of A Song at Twilight–on  which I’ve been working for the last two weeks–have been returned to the publisher. Next step: ARCs! Meanwhile, I am free to turn my attention to the next project clamoring for attention. Because writing is what it’s all about!

Writing Advice from a Younger Self

SapphoGenerally, I’m not overly comfortable doling out advice about writing. The process is so different for everyone, and what works for some may not work for others. And I certainly don’t mean to set myself up as the ultimate authority on the subject. On the other hand, I an grateful to all the writers who have taken the time over the years to post their own thoughts on the craft. There’s nothing quite like discovering that a successful author may have the same opinion on a subject as you, a struggling, aspiring writer. Or finding that the method that author suggests turns out to be just the thing to get you through a tough spot in your manuscript–or even your life. Bottom line: it usually helps and seldom hurts to pass on whatever you’ve learned to others in the same boat. And for writers, who so often live in their own heads, conjuring worlds and people out of imaginings, the reminder that they’re not alone can be a particular blessing.

This List of Ten was posted on my old blog, approximately one year before I completed my first submittable manuscript, four years before I signed with an agent, five years before I received a contract, six years before my debut novel was published. Reading it over, I was amused by how earnest and vehement I sounded. And yet, surely earnestness and vehemence are not only pardonable, but inevitable when discussing your life’s work and consuming passion.  I also discovered that, despite the intervening years and everything I’ve learned since, I still believe in everything on that list. So, this remains, more or less, My Truth. Maybe it’s someone else’s Truth too. In any case, in the interests of paying it forward, here are Ten Things I Feel to be True About Writing.

1. Any writing worth doing is worth doing well. I’m vain enough to want something out there with my name on it to be as good as I can make it at the time of creation. That doesn’t mean that I won’t look back on that project later and see more of its flaws. But if I know it was the best of which I was capable at the time, I’ll find a way to make peace with it, deficiencies and all.

2. Writing and reading are inextricably connected. The more you read and the more exposure you have to writers (both good and bad), the more you develop a sense of the written word and how it works. Many of my favorite writers were and are avid readers themselves.

3. Writing is an organic process and process is as important as destination. Who hasn’t dreamt about writing a masterpiece/best-seller? I sure have! But that doesn’t happen often or overnight. Allow yourself the time to be derivative, clunky, and even (gasp!) not very good. A writer is a work-in-progress too, and very few are brilliant first crack out of the barrel. Keep writing, keep learning, keep developing — you’ll get where you want to be eventually.

4. Don’t write about what you know, write about what you love. Write about what stirs your feelings and provokes your thoughts. Write about what excites and interests you, because if you’re bored with your subject–however knowledgeable you are about it–how can you expect anyone else not to be? As a corollary to this, once you’ve discovered what you love, find out what you need to know about it, whether through experience, research, or discussion. However, you don’t have to be a starship captain or a detective yourself to write a good SF or mystery novel.

5. There are going to be moments when the words and ideas come flooding out and you know, beyond a doubt, that writing is what you are meant to do. But there will also be fallow periods, dry spells, and periods of mind-bending frustration. There is no one way around these difficulties. If you’re driven enough and stubborn enough to overcome them, you’ll find a way.

6. Don’t be so wedded to one idea or scenario that you close your mind to other, possibly stronger ones. I’ve had the opportunity to practice that myself recently, more than once. In one case, changing the main POV character revitalized everything. In another, reworking the setting has opened the door to all kinds of possibilities, intimidating but exhilarating too.

7. Some projects will get finished, others won’t. It depends on how much you care about each. It’s not a crime to lose interest, change your mind, or take a stronger liking to a different plot bunny. (Disclaimer from Present-Day Me: just make sure you’re not under contract for one of those unlikely-to-be-finished projects. That could be a problem!)

8. Character is the strongest aspect of any fictional work. If the characters are compelling enough, most readers are willing to follow them anywhere — or at least to give them the benefit of the doubt. Character should drive story, not the other way around.

9. Sharing your writing is worth the risk. Betas and/or Wise Readers can be invaluable, whether they offer wholehearted encouragement or incisive critique. It’s a good idea to have both, though. Just let them know which one you need most.

10. Be true to your vision. That doesn’t mean stop listening to good advice from readers on how you might improve. But if some element crops up that feels inherently false to you, think twice about keeping or including it. At the end of the day, it’s still your baby and no one else’s.

“J” is for “Junk”: The Dubious Joys of Spring Cleaning

spring-cleaning-thumb-400x157

The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. . . . It was small wonder, then, that he suddenly flung down his brush on the floor, said `Bother!’ and `O blow!’ and also `Hang spring-cleaning!’ and bolted out of the house without even waiting to put on his coat.

–Kenneth Grahame, The Wind in the Willows

Just a short blog this week as I tackle, with decidedly mixed feelings, the process of cleaning house–or room, at least. A task for which I have little to no enthusiasm, but when you walk into your office/study/workroom or wherever you turn out your works of deathless prose, and find you hate just about everything you set eyes on, you have only one choice: change what you’re seeing.

Ideally, I’d have begun this task in January and finished by Chinese New Year–in fact, it’s traditional to have the house spick and span by the lunar New Year, so that the bad luck is all swept out and the good luck may then enter the house. Edits, revisions, and proposals had prior claims on my time and energy, however, so it’s only this past week or so that I’ve had the opportunity to roll up my sleeves and pitch in.

As always, I’m amazed at what I find once I start sorting through stuff and separating the junk from the non-junk. As a writer and an erstwhile academic, I’m used to the piles of books and papers that inevitably end up stacked on my desk and around my computer–for quick reference, of course. But multiple brochures from museums I visited years ago? Ticket stubs from movies I went to last summer? Take-out menus from restaurants that no longer exist? Department handbooks, blue books, and syllabi dating from my undergraduate days? Why on earth did I keep all those? Clearly, these all qualify as “junk” and may be tossed without compunction.

Other items are less easy to relegate to the rubbish heap. The dried corsage from a party or reception. Picture postcards from beloved vacation haunts. Newspaper clippings and reviews of films or plays you saw and loved. Playbills and programmes from those productions. And–something that perhaps any writer can recognize–notes for stories that were never finished, and sometimes not even started. I can almost never bring myself to throw those out, because even if I’ve moved on from those stories and ideas, they were important enough at one time to merit being captured on paper. And because one never knows, can never predict, when lightning will strike. Something overlooked for years can take on new life or lead you down an unexpected path. The name of a character or a place can spark the imagination, and suddenly you want to know more about that character, that place, and, above all, what happens next.

So, while a large quantity of detritus has been cleared away (and my room and workspace look much the better for, I admit), my old story notes have survived the purge. And some ideas that have lain dormant, half-forgotten, are perhaps beginning to stir again . . .